2019 marks the fiftieth anniversary of a historical period that arguably came to a close with the deaths at the Altamont Free Concert in 1969. The era of the hippie, or flower-power, or peace-and-love, has shaped our current times like few if any periods of such short duration.

Yet the peace and love rhetoric and the iconic images of Woodstock and San Francisco, the riots of Paris and Prague, and the beatific faces of young people on LSD and marijuana concealed a much darker reality that was lurking beneath the surface. The years of 1967–1969 also saw numerous race riots, the assassinations of Martin Luther King and Robert Kennedy, the murders of the Manson Family, the commodification of the music industry, the rediscovery of youth as a market, the first deaths of iconic rock icons, and a proliferation of heroin and cocaine. A host of influential musicians came from families with military and intelligence backgrounds, toying with satanism and occultism in various forms under the auspices of the military gaze.

From the beginning of the mass-mediated inception of the hippie era, death seemed to be just around the corner, and not just because the millions of military and civilian losses of the War in Vietnam helped to give birth to a peace movement. The Doors’ 1967 debut album ends with the dark “The End” and in the same year, the San Francisco Diggers pronounced the death of “Hippie, devoted son of mass media.” The figure of the hippie can, in fact, be read as a product of American mass media that was discovered in early 1967 and discarded by the end of 1969. Over the course of the three years under examination, the end of the era was pronounced and prophesied a number of times, the last straw being the Altamont Speedway concert.

From the vantage point of fifty years later, the simple narrative of the hippie needs to be reexamined and problematized. The conference in the city where LSD was discovered asks if and how a death wish or a death drive was always already inscribed in the hippie movement. Are death, failure, and breakage an inherent vice of hippie culture (to use the title of Thomas Pynchon’s novel that deals with the end of the hippie era)?

The conference focuses on the years 1967–1969 and is not interested in reiterating the laments about the sell-out of the peace-and-love generation. Instead, it attempts to shed light on underexamined dark aspects of hippie culture while paying tribute to and honoring its achievements for a better, more holistic world.

The conference welcomes scholarly and artistic contributions (such as poetry readings, dance or music performances). Contributions should be twenty minutes in length, followed by approximately ten minutes of Q&A. Please indicate if your proposed contribution is shorter or longer.

Interested in presenting something? Please submit an abstract of 200–300 words and a biography of 100–200 words by 31 May 2019 to the conference organizer Christian Hänggi, dead-hippie@unibas.ch or visit the conference website https://hippie-conference.unibas.ch