posted by user: annabrubin || 1144 views || tracked by 1 users: [display]

Terms of Art 2020 : Terms of Art: Understanding the Mechanics of Dispossession During the Nazi Period

FacebookTwitterLinkedInGoogle

Link: http://dfs.ny.gov/termsofart
 
When May 7, 2020 - May 8, 2020
Where New York, NY
Submission Deadline Nov 15, 2019
Categories    european history   art history   holocaust era assets   restitution
 

Call For Papers

The criteria for determining whether objects lost between 1933 and 1945 in a manner that justifies restitution were articulated by the Allied powers in 1943 and then codified in postwar restitution laws. In the modern era of Holocaust-era asset restitution, those standards were replaced by abstract phrases such as Nazi confiscated art, forced sale and sale under duress without any qualifications attached. But what is meant by these terms? Did the framers of modern restitution principles intend for the definitions promulgated by the Allies and postwar restitution laws to dictate the way these terms are interpreted?

The 2009 Terezin Declaration attempted to further develop the principles set forth in Washington in 1998 and listed additional acts of spoliation, though it failed to define them. Since the Washington and Prague Holocaust Era Asset Conferences, international discussions have primarily focused on the need for provenance research, the sharing of documentation and information, and the concept of “just and fair” solutions. Seldom is attention given to fully exploring, understanding and classifying the mechanisms and circumstances of loss.

Because there are no international guidelines on how to interpret these terms in the context of involuntary transactions that occurred in Nazi-controlled Europe, there are inconsistencies across and within groups of practitioners in the field on how to designate and characterize various forms of loss. This lack of common understanding creates uncertainty and incongruity with respect to restitution and compensability. It frequently results in protracted debates about whether the persecution endured by an artwork’s owner was such that his/her loss of the artwork could be deemed involuntary, thereby hindering and often thwarting the resolution of claims.

This symposium aims to explore from the historical, art historical and practical perspectives and across practitioner groups, what it means to describe involuntary loss using a specific term. We are seeking papers from practitioners in the field of art restitution that will serve as a basis for discussion of these terms.

The symposium will include expert paper presentations and panel-led discussions among claimant representatives, attorneys, members of the art trade, cultural institutions, provenance researchers, historians and art historians.

Following the symposium, accepted papers will be published as a free online book. The goal of the publication is to further the dialogue concerning this issue and promote greater understanding about the mechanics of dispossession as they relate to claims for artwork involuntarily lost as a result of Nazi persecution.

Our aim is to inform and guide future discussions about the disparate views on these historical events and how a common understanding of these terms can effectively contribute to resolving claims in a more consistent and expeditious manner.

Suggested topics
• Historical analysis of the mechanics of dispossession.
Please discuss one or more types of transactions resulting in the loss of artworks such as: the granting of exports licenses; house sales; the actions of shipping companies; use the national heritage designations; bank loans; and “required” donations, etc.

• Is a forced sale the same as a sale under duress? If so, why? If not, why not? How do they differ?

• What constitutes a transaction induced by threats or duress or involving unlawful dispossession? Is such a transaction what we presently term a forced sale or sale under duress?

• Are looting and theft the same as confiscation, or is confiscation merely one form of theft?

• Can an institution be the source of coercion or only an individual?

• What constitutes relinquishment? Is relinquishment the same as a forced sale, sale under duress, or is it more akin to Aryanization? How do export permits and/or licenses relate to relinquishment?

• Does seizure by measures taken by the NSDAP, its formations or affiliated organizations include the granting or denial of export permits and/or licenses?

• Does the date of the loss impact the term used to describe the loss?

• Does the classification of the loss affect the resolution of a restitution claim?

Kindly note the symposium will not address the issue of flight goods (Fluchtgut).

Format
Proposals should address terms and concepts as suggested above in 500 words or less.
Please be sure to include your full name, affiliation (if applicable), email address, and a brief bio or CV.
Submitted proposals will be reviewed by a committee of practitioners in the field.
Papers can be submitted at: https://www.dfs.ny.gov/form/call-for-papers-submission-form

Important dates
The deadline for submitting a proposal is Thursday, October 31, 2019.
Submitters will be informed by Monday, December 2, 2019 whether their proposal was accepted. Please understand that time and space are limited, so not all proposals will be accepted. If a proposal is accepted, the resulting paper will be presented by the author at the symposium.
Complete papers are due by Friday, May 1, 2020.
Papers will be published and released to the general public on or about September 1, 2020.

Related Resources

HAS 2024   International Conference on Humanities, Art and Social Studies
Arts in Society 2024   Nineteenth International Conference on the Arts in Society, Hanyang University, Seoul, South Korea + Online
MUWS 2024   MUWS 2024 - The 3rd International Workshop on Multimodal Human Understanding for the Web and Social Media
ArtsIT 2024   13th EAI International Conference: Arts, Interactivity & Game Creation
SpLU-RoboNLP 2024   International Combined Workshop on Spatial Language Understanding (SpLU) and Grounded Communication for Robotics (RoboNLP)
HERVEX 2024   The 28th International Conference on Hydraulics, Pneumatics, Sealing Elements, Precision Mechanics, Tools, Specific Electronic Equipment & Mechatronics
IJHAS 2024   International Journal of Humanities, Art and Social Studies
AIxHEART 2024   IEEE International Conference on AI x Humanities, Education, and ART
VISSOFT 2024   12th IEEE Working Conference on Software Visualization
ICCES 2024   The 30th International Conference on Computational & Experimental Engineering and Sciences