The response to our CFP for the book "Indian Trans Cinema" has been so strong that we have expanded it into "The Handbook of Indian Trans Cinema: Film, Television, and Web Series." Proposals are due July 1, 2025.

We seek a nationally diverse group of contributors from countries around the world.

We especially welcome additional chapters on the following 16 themes, for which we already have over 40 confirmed chapters:

Theme 1. Historical Cinema

Chapter 1. “Cinematic Representation of Eunuchs in Medieval Royal Courts,” Anup Shekhar Chakraborty and Praggnaparamita Biswas
Chapter 2. “Transgender Representation during the 1947 Partition in Hindi Cinema,” Nidhi Shrivastava
Chapter 3. “India’s First Film Heroine, Trans Cultural Traditions, and Films,” Manisha Prakash

Theme 2. Comedy

Chapter 4. “Comic Disruptions and Gender Play: Cross-Dressing, Laughter, and the Trans Possibility in Indian Cinema,” Darshana Chakrabarty
Chapter 5. “Between Satire and Selfhood: Trans Narratives in Shubh Mangal Zyada Saavdhan, Taali, and Paatal Lok,” Preeti Sharma
Chapter 6. “Agency and Cisnormative Laugh: Contextualizing Power, Subversion, and Inclusion in Sadak, Shabnam Mausi, and Pati, Patni aur Panga,” Saba Zahoor

Theme 3. Horror

Chapter 7. “Monstrous Femininity: Reading the Transgender Specter in Hindi Horror-Thrillers,” Abhiruchi Ranjan
Chapter 8. “Dressed to Kill: Transgression and Terror in Murder 2,” Akanksha Yadav and Shabham Pathak
Chapter 9. “Gothic Trans in Indian Cinema,” Ananya Chatterjee and Nisarga Bhattacharjee

Theme 4. Crime Drama

Chapter 10. “Transgender Narratives, Crime, and Televised Justice: A Critical Study of the Selected Episodes of Savdhaan India,” Rachana Pandey
Chapter 11. “(Trans)forming Noir: Kukoo's Paradoxical Role in Sacred Games,” Kulvinder Arora

Theme 5. Biopics

Chapter 12. “Transcending Boundaries: Embodied Agency and Narrative Disruption in the Odia Biopic T,” Debasish Mishra and Swati Shatavisha
Chapter 13. “Electing the Other: Reimagining the Political Hijra in Shabnam Mausi (2005),” Juhi Singh, Shubham Pathak, and Swasti Mishra
Chapter 14. “Queering the Narrative: Taali as a Site of Gender Disruption and Activism,” Sourav Das and Jaipal

Theme 6. Ethnographic Field Studies

Chapter 15. “Transgender Identity and Popular Cultural Representation: A Digital Ethnography of the the Web Series Taali and Its Reception,” Deepika
Chapter 16. “The Home as a Queer Space in the Lives of Trans Women,” Rincy Daniel and Sreejith Kadaiyakkol

Theme 7. Documentaries

Chapter 17. “The Indian Documentary Gaze: A Study of Trans Lives in Select Indian Documentaries,” Nazrana Haque and Nasmeem Farhin Akhtar
Chapter 18. “Feminine Excesses: Camp Performativity in Documentaries as an Exploration of Trans Identity,” Sagnika Chanda
Chapter 19. “Crafting Exit Scapes: Reimagining Kashmiri Trans Identities in Trans Kashmir,” Saloni Walia and Varsha Singh
Chapter 20. “Navigating Transphobia: Exit Scapes and Self-Expression in South Indian Transgender Documentaries,” Nibu Thomson and Poorna Pushkala A
Chapter 21. “Wrong Body, Right Spirit: Visualizing Trans Athleticism in the Indian Sports Documentary I am Bonnie,” Bibhudatta Dash and Shreya Rathour

Theme 8. Myth

Chapter 22. “Desire on Screen in Bengali Cinema,” Nasmeem F. Akhtar
Chapter 23. “Desire, Devotion, and Trans Kinship in Bengali Cinema: Nagarkirtan (2019),” Sohini Datta and Himashree Patowary
Chapter 24. “Wrath and Redemption: Trans Embodiment and Vigilante Justice in Arddhanaari (2016),” Anurag Borah

Theme 9. Gender Performativity

Chapter 25. “Playing Trans: Gender Performativity and Masquerade in Hindi Cinema,” Gunjan Gupta and Nayana George
Chapter 26. “Dysphoria, Performativity, and the Politics of Belonging: Love, Intra-Community Exclusion, and Posthumous Solidarity in Kaushik Ganguly’s Nagarkirtan,” Debapriya Goswami
Chapter 27. “Reconceptualizing ‘Nari Bhav’: Critiquing the Politics of Androgynous Semiotics, Perverse Mimesis, and Transcorporeal Signification in Kaushik Ganguly’s Arekti Premer Golpo and Raja Sen’s Maya Mridanga,” Amar Chakrabortty

Theme 10. Visibility

Chapter 28. “Negotiating Marginality: Trans Subjectivity, Queer Kinship, and the Politics of Visibility in Fireflies/Jonaki Porua,” Parvin Sultana
Chapter 29. “Trans Formations: The Transgender Gaze and Class Privilege in the Indian Web Series Made in Heaven,” Puja Raj

Theme 11. Motherhood

Chapter 30. “Questioning Normative Motherhood: The Representation of Trans Parenting in Bollywood,” Sushreed Routray and Rashmi Gaur
Chapter 31. “Maternal Agency and Trans Affirmation in Contemporary Indian Short Films,” Apoorva Uniyal and Monika Gupta

Theme 12. Transmasculinity

Chapter 32. “Transmasculinity and Malayalam Film: The Twin Effects of Transition and Demonetisation,” M.A. Miller
Chapter 33. “Unlovable or Unseen? Taboos around Trans Male Identity and Intimacy in the Film Safed,” Akanksha Singh and Rajiv Pratap Singh

Theme 13. Trans Foucault

Chapter 34. “The Trans Body in the Public Gaze: Michel Foucault’s Discourse Theory and Transgender Subjectivity in Chandigarh Kare Aashiqui,” Vidya Hariharan
Chapter 35. “Gender, Space, and Survival: Daayraa and the Evolution of Trans Narratives in Indian Cinema,” Somsuvra Midya

Theme 14. Time and Space

Chapter 36. “Mapping Trans Temporalities in Rajasthan's Cinematic Deserts,” Sohini Datta and Himashree Patowary
Chapter 37. “Safety as a Genre: Chronotopes of Trans Mobility in Indian Cinema,” Prerna Subramanian

Theme 15. Bollywood

Chapter 38. “Bobby Darling’s Self-Representation: Navigating between Stereotype and Inclusivity in Bollywood,” Samrat Sharma and Arpita Sarker
Chapter 39. “Reimagining Trans Bodies in Bollywood Movies in the 21st Century,” Ali Saha

Theme 16. Regional Cinemas

Chapter 40. “Reframing Transness: Shame, Transgression, and Acceptance in Malayalam Trans Cinema,” Sony Jalarajan Raj and Adith K. Suresh
Chapter 41. “Trans Bodies in Malayalam Cinema: Class, Caste, and the Politics of Representation,” Anjitha Gopi
Chapter 42. “Trans-Feminist and Decolonial Interventions in Tamil Cinema,” Tanupriya
Chapter 43. “Exploring Parallel Lives and Silenced Truths in Bengali Cinema: Transgender Identity and Sexual Politics in Samantaral (2017),” Souradip Bhattacharyya
Chapter 44. “Changing the Portrayal of Transgender Protagonists in Indian Cinema,” Chandrakant Kamble

Interested authors should submit a 300-word abstract, a 200-word biography, and a sample of a previously published chapter or article to

https://bit.ly/IndianTransCinema

no later than July 1, 2025.

Each chapter will provide extensive references to both trans theory and film theory. Abstracts for proposed chapters should include several references to both trans theory and film theory, with an explanation for how these references will support your argument. Your list of references does not count toward the 300 word limit for abstracts.

Proposals that do not integrate references to film theory and trans theory in a compelling manner will be rejected.

Proposals should focus on films with a specifically trans focus, not merely a broadly LGBTQ focus.

If your chapter will have more than one author, please send a 200-word biography for each author. Proposals submitted by email will not be accepted. Abstracts and biographies should be submitted as Word documents, and previously published chapters or articles should be submitted as PDFs. Both Word files and PDFs should contain the author’s name in the file names. Please include your email address in your biography file so we can contact you with our decision about your proposal.

Authors will be notified whether their proposals are accepted by July 20, 2025. Partial first drafts are due by September 1, 2025; solid first drafts of full chapters are due by December 1, 2025, and final versions that cross-reference other chapters extensively are due March 1, 2026. All chapters must include at least one author with a PhD. In your 200-word biography, please note the year and university where you earned your doctorate. Only previously unpublished works will be considered.

We are seeking chapters that cover the full breadth of India's trans films, so we are not accepting proposals that explore films already examined by confirmed chapters. Please do NOT propose chapters on any of the following films, which are already covered in the handbook:

Aalorukkam
Abnormal
Admitted
Antharam
Arddhanaari
Ardh
Ardhanaari
Arekti Premer Golpo
Avalilekkulla Dhooram
Bhool Bhulaiyaa 3
Chachi 420
Chalte Chalte
Chandigarh Kare Aashiqui
Chanthupottu
Chitrangada: The Crowning Wish
Daayraa
Darmiyaan
Dream Girl
Dream Girl 2
Fireflies (Jonaki Porua)
Gender Identity
Haddi
I am Bonnie
I am Joyita
India’s Biggest Transgender Festival
Iratta Jeevitham
Jeevan Smriti
Jodhaa-Akbar
Jogwa
Kaalakaandi
Kanchana
Khejdi
Laxmii
Made in Heaven
Maine Dil Tajhko Diya
Maya Mridanga
Murder 2
Naanu Avanalla…Avalu
Nagarkirtan
Nilayile Vellaramkallukal
Njan Marykutty
Paatal Lok
Paava Kadhaigal
Padmavat
Page 3
Pati, Patni aur Panga
Performing the Goddess
Qissa: The Tale of a Lonely Ghost
Rajni
Sacred Games
Sadak
Safed
Samantaral
Sangharsh
Savdhaan India
Shabnam Mausi
Shubh Mangal Zyada Saavdhan
Super Deluxe
T
Taali
Tamanna
That’s My Boy
Trans Kashmir
Transcender
Udalazham
Unwoman

Proposals for chapters on any of the above films will be rejected.

You are welcome to submit more than one abstract. If you submit multiple abstracts for different chapters, please add a note at the top of each abstract to indicate whether you wish to be considered for writing only a single chapter, or whether you wish to be considered for writing more than one chapter.

The first editor's previous books include "Transgender India: Understanding Third Gender Identities and Experiences" (2022), "Indian Feminist Ecocriticism" (2022), "The Routledge Handbook of Trans Literature" (2024), and "Transecology: Transgender Perspectives on Environment and Nature" (2021).