| |||||||||||||
WASPAA 2017 : IEEE Workshop on Applications of Signal Processing to Audio and AcousticsConference Series : Workshop on Applications of Signal Processing to Audio and Acoustics | |||||||||||||
Link: http://www.waspaa.com/ | |||||||||||||
| |||||||||||||
Call For Papers | |||||||||||||
Call for Papers: WASPAA 2017
The 2017 IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA 2017) will be held at the Mohonk Mountain House in New Paltz, New York, and is supported by the Audio and Acoustic Signal Processing technical committee of the IEEE Signal Processing Society. The objective of this workshop is to provide an informal environment for the discussion of problems in audio, acoustics and signal processing techniques leading to novel solutions. Technical sessions will be scheduled throughout the day. Afternoons will be left free for informal meetings among workshop participants. Important Dates: Submission of four-page paper: April 20, 2017 Notification of acceptance: June 27, 2017 Early registration until: August 15, 2017 Workshop: October 15–18, 2017 Place: Mohonk Mountain House, New Paltz, New York, USA For details, see also: http://www.waspaa.com/ http://www.waspaa.com/wordpress/wp-content/uploads/2010/12/WASPAA2017_CfP.pdf Papers describing original research and new concepts are solicited for technical sessions on, but not limited to, the following topics: Acoustic Signal Processing Source separation: single- and multi-microphone techniques Acoustic source localization and tracking Signal enhancement: dereverberation, noise reduction, echo reduction Microphone and loudspeaker array processing Acoustic sensor networks: distributed algorithms, synchronisation Acoustic scene analysis: event detection and classification Room acoustics: analysis, modeling and simulation Audio and Music Signal Processing Content-based music retrieval: fingerprinting, matching, cover song retrieval Musical signal analysis: segmentation, classification, transcription Music signal synthesis: waveforms, instrument models, singing Music separation: direct-ambient decomposition, vocal and instruments Audio effects: artificial reverberation, amplifier modeling Upmixing and downmixing Audio and Speech Coding Waveform and parametric coding Spatial audio coding Sparse representations Low-delay audio and speech coding Digital rights Hearing and Perception Hearing aids Computational auditory scene analysis Auditory perception and spatial hearing Speech and audio quality assessment Speech intelligibility measures and prediction Submission of Papers: Prospective authors are invited to submit full-length papers, with up to four pages for technical content including figures and possible references, and with one additional optional 5th page containing only references. Papers must be submitted electronically by April 20, 2017 at 23:59 AOE time (12 hours behind UTC). No new submissions will be accepted after that time. Workshop Committee General Chairs: Patrick A. Naylor (Imperial College London), Meinard Müller (International AudioLabs Erlangen) Technical Program Chairs: Gautham Mysore (Adobe Research), Mads Christensen (Aalborg University) Finance Chair: Michael S. Brandstein (M.I.T. Lincoln Laboratory) Publications Chair: Toon van Waterschoot (KU Leuven) Registration Chair: Tiago H. Falk (INRS, Montréal) Industrial Liaison Chair: Tao Zhang (Starkey Hearing Technologies) Far East Liaison: Shoko Araki (NTT) Local Arrangements Chair: Youngjune Gwon (M.I.T. Lincoln Laboratory) Demonstrations Chair: Christine Evers (Imperial College London) Awards Chair: Sebastian Ewert (Queen Mary University of London) |
|