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ICMAI 2011 : Music and Artificial IntelligenceConference Series : International Conference on Music and Artificial Intelligence | |||||||||||||||
Link: http://homepages.inf.ed.ac.uk/smaill/icmai11/ | |||||||||||||||
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Call For Papers | |||||||||||||||
ICMAI 2011: Music and Artificial Intelligence
Rethymnon, Crete 26 - 28 March 2011 First Call For Papers Extended abstract deadline: 10th January Following the two previous successful conferences which took place in Edinburgh, Scotland, the third International Conference of Music and AI will take place in Rethymnon, Crete, Greece, between the 26th and 28th March 2011. This is a small-scale friendly conference with a small number of oral presentations and adequate time for discussions and other activities. We encourage submissions on all aspects of music involving Artificial Intelligence techniques and methodologies, as well as related theoretical issues. The special theme this year is Computational Analysis of Folk Music. The goal of the conference is to bring together researchers who are using AI for music theory, analysis, models and applications, providing the opportunity to promote, present and discuss ongoing work in the area. The conference is organised jointly by the Technological Educational Institute of Crete, the University of Edinburgh and the University of Athens, and is partially sponsored by the John S. Latsis Public Foundation. Special Topic: Computational approaches to folk music analysis Topics: (non exclusive) Computational musicology Representational issues and models Formal and computational music analysis Information Retrieval using AI techniques Adaptive systems, music education systems Expressive performance Music generation and algorithmic composition Cognitive modelling of music Aesthetics and related philosophical issues AI approaches to semiotic and semantic musical issues Submissions of extended abstracts on all aspects of Music and AI are welcome. They must be in English, 2 pages formatted according to the Springer-Verlag Lecture Notes in Artificial Intelligence guidelines. Authors' instructions and style files can be downloaded at http://www.springer.de/comp/lncs/authors.html All submissions should follow one of the two proposed headings structures, while making explicit the musical aspects of the work: Background Background Aims and motivation Aims Methods Main Contribution Results Implications Implications References References Contributions must be in PDF format and uploaded to the ICMAI easychair website http://www.easychair.org/conferences/?conf=icmai20110, indicating whether they are intended for oral or poster presentation. Submissions will be reviewed anonymously by at least three members of the scientific committee on the basis of technical and theoretical quality, originality, relevance, significance, and clarity. Accepted extended abstracts will be published in the booklet of abstracts for the conference. There is also a date for optional full-paper submissions of accepted abstracts, to be included in the conference proceedings. Selected papers will be invited for a post-conference publication in a special issue of the Journal of Analytical Approaches to World Music. We are also in negitioation for another selected paper special issue by the Journal of Interdisciplinary Music Studies, provided papers fit with the Journal's rules and guidelines. Important dates: Extended abstract submission: 10th January 2011 Reviews received: 10th February 2011 Camera Ready Papers: 1st March 2011 Conference: 26 - 28 March 2011 Organising committee: Chrisoula Alexandraki (Greece) Christina Anagnostopoulou (Greece) Emilios Cambouropoulos (Greece) Darrell Conklin (Spain) Peter Nelson (UK) Aggelos Pikrakis (Greece) Rafael Ramirez (Spain) Alan Smaill (UK) Mark Steedman (UK) Nikolas Valsamakis (Greece) Iannis Zannos (Greece) Scientific committee: Anna Rita Addessi (Italy) Sven Ahlback (Sweden) Chrisoula Alexandraki (Greece) Christina Anagnostopoulou (Greece) Baris Bozgurt (Turkey) Chantal Buteau (Canada) Emilios Cambouropoulos (Greece) Elaine Chew (USA) Darrell Conklin (Spain) Tim Crawford (UK) Roger Dannenberg (USA) Emilia Gomez (Spain) Andre Holzapfel (Austria) Olivier Lartillot (Finland) Soren Madsen (Austria) Eduardo Miranda (UK, Brazil) Meinard Mueller (Germany) Peter Nelson (UK) Donncha ? Maid?n (Ireland) Francois Pachet (France) Aggelos Pikrakis (Greece) Rafael Ramirez (Spain) Alan Smaill (UK) Mark Steedman (UK) George Tzanetakis (Canada) Peter Van Kranenburg (Netherlands) Frans Wiering (Netherlands) Geraint Wiggins (UK) Iannis Zannos (Greece) http://homepages.inf.ed.ac.uk/smaill/icmai11/ Contact:: icmai2011@music.uoa.gr |
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