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EvoMUSART 2014 : Evomusart 2014. LEONARDO special section and 2nd CFP | |||||||||||||||
Link: http://www.evostar.org/cfpEvoMUSART.html | |||||||||||||||
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Call For Papers | |||||||||||||||
---------------------------------------------------------------------------- Please distribute (Apologies for cross posting) ---------------------------------------------------------------------------- --------------------------------------------------------------------------- NEWS:LEONARDO Special Section ---------------------------------------------------------------------------- Authors of selected papers will be invited to submit expanded versions of their work for a planned special section on Evolutionary Art of the MIT Press journal "Leonardo". ---------------------------------------------------------------------------- CALL FOR PAPERS evomusart 2014 http://www.evostar.org/cfpEvoMUSART.html 3rd International Conference on Evolutionary and Biologically Inspired Music, Sound, Art and Design April 2014, GRANADA, Spain Part of evo* 2014 evo*: http://www.evostar.org ---------------------------------------------------------------------------- New this year: Special track on Artificial Neural Networks applied to Music, Sound, Art and Design ---------------------------------------------------------------------------- Following the success of previous events and the importance of the field of evolutionary and biologically inspired (artificial neural network, swarm, alife) music, sound, art and design, evomusart has become an evo* conference with independent proceedings since 2012. Thus, evomusart 2014 is the twelfth European Event and the third International Conference on Evolutionary and Biologically Inspired Music, Sound, Art and Design. The use of biologically inspired techniques for the development of artistic systems is a recent, exciting and significant area of research. There is a growing interest in the application of these techniques in fields such as: visual art and music generation, analysis, and interpretation; sound synthesis; architecture; video; poetry; design; and other creative tasks. The main goal of evomusart 2014 is to bring together researchers who are using biologically inspired computer techniques for artistic tasks, providing the opportunity to promote, present and discuss ongoing work in the area. The event will be held in April, 2014 in Granada, Andalusia, Spain, as part of the evo* event. ---------------------------------------------------------------------------- Publication Details ---------------------------------------------------------------------------- Submissions will be rigorously reviewed for scientific and artistic merit. Accepted papers will be presented orally or as posters at the event and included in the evomusart proceedings, published by Springer Verlag in a dedicated volume of the Lecture Notes in Computer Science series. The acceptance rate at evomusart 2013 was 30.5% for papers accepted for oral presentation, or 44.4% for oral and poster presentation combined. The evomusart 2013 submissions received on average 3.4 reviews each. New this year: submitters are strongly encouraged to provide in all papers a link for download of media demonstrating their results, whether music, images, video, or other media types. Links should be anonymised for double-blind review, e.g. using a URL shortening service. ---------------------------------------------------------------------------- Topics of interest ---------------------------------------------------------------------------- Submissions should concern the use of biologically inspired computer techniques -- e.g. Evolutionary Computation, Artificial Life, Artificial Neural Networks, Swarm Intelligence, other artificial intelligence techniques -- in the generation, analysis and interpretation of art, music, design, architecture and other artistic fields. Topics of interest include, but are not limited to: -- Generation - Biologically Inspired Design and Art -- Systems that create drawings, images, animations, sculptures, poetry, text, designs, webpages, buildings, etc.; - Biologically Inspired Sound and Music -- Systems that create musical pieces, sounds, instruments, voices, sound effects, sound analysis, etc.; - Robotic-Based Evolutionary Art and Music; - Other related artificial intelligence or generative techniques in the fields of Computer Music, Computer Art, etc.; -- Theory - Computational Aesthetics, Experimental Aesthetics; Emotional Response, Surprise, Novelty; - Representation techniques; - Surveys of the current state-of-the-art in the area; identification of weaknesses and strengths; comparative analysis and classification; - Validation methodologies; - Studies on the applicability of these techniques to related areas; - New models designed to promote the creative potential of biologically inspired computation; -- Computer Aided Creativity and computational creativity - Systems in which biologically inspired computation is used to promote the creativity of a human user; - New ways of integrating the user in the evolutionary cycle; - Analysis and evaluation of: the artistic potential of biologically inspired art and music; the artistic processes inherent to these approaches; the resulting artefacts; - Collaborative distributed artificial art environments; -- Automation - Techniques for automatic fitness assignment; - Systems in which an analysis or interpretation of the artworks is used in conjunction with biologically inspired techniques to produce novel objects; - Systems that resort to biologically inspired computation to perform the analysis of image, music, sound, sculpture, or some other types of artistic object. ---------------------------------------------------------------------------- Important Dates (to be confirmed) ---------------------------------------------------------------------------- Submission: November 1 2013 Notification to authors: December 2013 Camera-ready deadline: January 2014 Evo*: April 2014 ---------------------------------------------------------------------------- Additional information and submission details ---------------------------------------------------------------------------- Submit your manuscript, at most 12 A4 pages long, in Springer LNCS format (instructions downloadable from http://www.springer.com/computer/lncs?SGWID=0-164-6-793341-0) no later than November 1, 2013 (date to be confirmed). Submission link: http://myreview.csregistry.org/evomusart14 page limit: 12 pages The reviewing process will be double-blind; please omit information about the authors in the submitted paper. ---------------------------------------------------------------------------- Programme committee ---------------------------------------------------------------------------- Adrian Carballal,University of A Coruna,Spain Alain Lioret,Paris 8 University,France Alan Dorin,Monash University,Australia Alejandro Pazos,University of A Coruna,Spain Alice Eldridge,Monash University,Australia Amilcar Cardoso,University of Coimbra,Portugal Amy K. Hoover,University of Central Florida,USA Andrew Brown,Griffith University,Australia Andrew Gildfind,Google, Inc.,Australia Andrew Horner,University of Science & Technology,Hong Kong Anna Ursyn,University of Northern Colorado,USA Antonino Santos,University of A Coruna,Spain Antonios Liapis,IT University of Copenhagen ,Denmark Arne Eigenfeldt,Simon Fraser University,Canada Artemis Sanchez Moroni,Renato Archer Research Center,Brazil Benjamin Schroeder,Ohio State University,USA Benjamin Smith,Indianapolis University, Purdue University,Indianapolis,USA Bill Manaris,College of Charleston,USA Brian Ross,Brock University,Canada Carlos Grilo,Instituto Politécnico de Leiria,Portugal Christian Jacob,University of Calgary,Canada Colin Johnson,University of Kent,UK Dan Ashlock,University of Guelph,Canada Dan Costelloe,Independent Researcher (Solace One Ltd),Ireland Dan Ventura,Brigham Young University,USA Daniel Bisig,University of Zurich,Switzerland Daniel Jones,Goldsmiths College, University of London,UK Daniel Silva,University of Coimbra,Portugal Douglas Repetto,Columbia University,USA Eduardo Miranda,University of Plymouth,UK Eelco den Heijer,Vrije Universiteit Amsterdam,Netherlands Eleonora Bilotta ,University of Calabria,Italy Francois Pachet,Sony CSL Paris,France Gary Greenfield,University of Richmond,USA Gary Nelson,Oerlin College,USA Hans Dehlinger,Independent Artist,Germany Hernán Kerlleñevich,National University of Quilmes,Argentina J. E. Rowe,University of Birmingham,UK Jane Prophet,Independent Artist,UK Jate Reed,Imperial College,UK John Collomosse,University of Surrey,UK Jon McCormack,Monash University,Australia Jonathan Byrne,University College Dublin,Ireland Jonathan Eisenmann,Ohio State University,USA José Fornari,NICS/Unicamp,Brazil Kate Reed,Imperial College,UK Marcelo Freitas Caetano,IRCAM,France Marcos Nadal,University of Illes Balears,Spain Matthew Lewis,Ohio State University,USA Mauro Annunziato,Plancton Art Studio,Italy Maximos Kaliakatsos-Papakostas,University of Patras,Greece Michael O’Neill,University College Dublin,Ireland Nicolas Monmarché,University of Tours,France Pablo Gervás,Universidad Complutense de Madrid,Spain Palle Dahlstedt,Göteborg University,Sweden Patrick Janssen,National University of Singapure,Singapure Paulo Urbano,Universidade de Lisboa,Portugal Pedro Abreu,University of Coimbra,Portugal Pedro Cruz,University of Coimbra,Portugal Penousal Machado,University of Coimbra,Portugal Peter Bentley,University College London ,UK Peter Cariani,University of Binghamton,USA Philip Galanter,Texas A&M College of Architecture,USA Philippe Pasquier,Simon Fraser University,Canada Rafael Ramirez,Pompeu Fabra University,Spain Roger Malina,International Society for the Arts, Sciences and Technology,USA Roisin Loughran,University of Limerick,Ireland Ruli Manurung,University of Indonesia,Indonesia Scott Draves,Independent Artist,USA Somnuk Phon-Amnuaisuk,Brunei Institute of Technology,Malaysia Stephen Todd,IBM,UK Takashi Ikegami,Tokyo Institute of Technology,Japan Tim Blackwell,Goldsmiths College, University of London,UK Troy Innocent,Monash University,Australia Usman Haque,Haque Design + Research Ltd,UK/Pakistan Vic Ciesielski,RMIT,Australia Yang Li,University of Science and Technology Beijing,China ---------------------------------------------------------------------------- Conference chairs ---------------------------------------------------------------------------- Juan Romero University of A Coruna, Spain jj(at)udc.es James McDermott University College Dublin, Ireland jmmcd(at)jmmcd.net Publication chair Joao Correia, University of Coimbra jncor(at)dei.uc.pt |
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