Ford Madox Ford was born Joseph Leopold Ford Hermann Madox Hueffer on 17 December 1873 in Merton, Surrey. His name runs through the fabric of the modern novel as he tackled different genres and topics in his vast production of works, namely: The Shifting of the Fire (1892), his first novel; The Inheritors (1901), the first of the three novels he wrote in collaboration with Joseph Conrad; fairy tales such as The Brown Owl or The Feather (1892); a historical trilogy of Henry VIII’s fifth queen, published under the titles The Fifth Queen (1906), Privy Seal (1907), and The Fifth Queen Crowned (1908) which, according to the critics of his day, raised the genre of historical fiction to new heights; his opus magnum, The Good Soldier (1915), and also the Tetralogy Parade’s End (1924) brought the author worldwide literary recognition insofar as they showcase how he had perfected his technique of point of view, time-shift, le mot juste, selection and progression d’ effet. These more mature works also addressed the author’s anguished weltanschauung. However, his production is not limited to the novel, but extends to poetry, essay writing, journalism and memoirs, leaving ground for the exploration and analysis of a myriad of research possibilities.

150 years have passed since his birth and because of the importance of Ford’s writings at the end of the Victorian Era and during the Edwardian period, providing insightful representations and descriptions of the political, social and cultural status quo of his time (mainly before and after the 1st World War), it is then paramount to celebrate Ford’s valuable contribution to early twentieth century’s (British) literature and culture.

With this in mind, this symposium seeks to give due recognition to Ford Madox Ford’s works and his role as a writer and cultural/social and literary critic during the late Victorian age and the first three decades of the twentieth century. Therefore, participants are invited to present proposals that explore, analyse and problematise cultural, literary, political and social issues that gravitate around Ford’s works.

As such, topics and themes of interest include, but are not restricted to, the following:

Modernism
Liberalism, nationalism and cosmopolitanism
Ideological and economic doctrines
The Great War / World War I and narrative
Crossroads between the American, British and (continental) European cultures
Cultural memory
Translations
Film adaptations
Identity and gender in the “small circle novels”
Victorian Woman/ New Woman
Mental health
Utopia, dystopia and heterotopia